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Mingotti Travelling Opera company, he travelled via Hamburg to Copenhagen, where he composed the opera-serenade La contesa dei Numi in celebration of the birth of the heir to the Danish throne; the work in some respects foreshadows his later reform operas.

During the following two winters Gluck was in Prague, where he wrote Ezio and Issipile — Gluck later adopted his niece, Marianne. In Vienna, Gluck soon found a patron in the imperial field marshal Prince Joseph Friedrich von Sachsen-Hildburghausen, who engaged him first as Konzertmeister of his orchestra and later as Kapellmeister.

The following year Vienna saw Il repastore, while the first performance of the opera Antigono was given during a visit to Rome.

In Rome Gluck was created Knight of the Golden Spur, and after his return to Vienna he set to work to provide music for a number of French vaudeville comedies imported from Paris.

In these Parisian comedies the dialogue was spoken or sung in the manner of street songs, so-called timbres. His libretto for Orfeo ed Euridice , partly based on the theories and practices of such literary men as D.

In place of involved plots in the older manner, there was to be a simple, true, and natural action in the tradition of the classical drama; in place of courtly conventions, there was to be a purely human element.

The chorus, again on the classical pattern, was to have equal importance with the main characters of the action, participating directly in the dramatic events.

As Gluck himself confessed, the impulse toward opera reform came from Calzabigi. But it must also be recognized that Calzabigi proceeded largely from the ideas put forward after by the Parisian poetic and literary circles mentioned above, while important new musical features e.

The opera-serenade La corona, written in the same year, was not performed owing to court mourning for the death of the emperor Francis I. In Florence on Feb.

The French version of Alceste, which was produced during his third visit to Paris on April 23, , also met with disapproval. Deeply distressed by this and the death of his niece, Marianne, Gluck left Paris in May and returned to Vienna.

In Paris, Gluck left both friends and enemies, who began to form two opposing parties: The struggle, which reached its full fury in , never drew either Gluck or Piccinni into active participation in the dispute.

Gluck, in Vienna, had completed Armide but had destroyed his sketches for Roland on hearing that Piccinni was setting the same text for Paris.

At the end of May , Gluck returned to Paris. At the first performance of Armide on Sept. The works are constructed in shorter sections, which frequently follow each other without a break, and the spacious conception of the scenes is partly sacrificed in order to achieve a greater degree of dramatic and psychological flexibility.

Gluck spent the last eight years of his life in Vienna and in Perchtoldsdorf nearby, in the care of his wife, continuing to work tirelessly.

His attention turned again to F. He advocated that opera seria had to return to basics and that all the various elements—music both instrumental and vocal , ballet, and staging—must be subservient to the overriding drama.

In Vienna, Gluck met like-minded figures in the operatic world: On 5 October , Orfeo ed Euridice was given its first performance, on a libretto by Calzabigi, set to music by Gluck.

Gluck tried to achieve a noble, Neo-Classical or "beautiful simplicity". His idea was to make the drama of the work more important than the star singers who performed it, and to do away with dry recitative recitativo secco, accompanied only by continuo that broke up the action.

Calzabigi wrote a preface to Alceste , which Gluck signed, setting out the principles of their reforms:. On 11 September Burney went to see Gluck to say goodbye; Gluck was still in bed, as he used to work in the night.

As his operas were not appreciated by Frederick the Great , Gluck began to focus on France. The premiere on 19 April sparked a huge controversy, almost a war, such as had not been seen in the city since the Querelle des Bouffons.

The composers themselves took no part in the polemics, but when Piccinni was asked to set the libretto to Roland , on which Gluck was also known to be working, Gluck destroyed everything he had written for that opera up to that point.

On 2 August the French version of Orfeo ed Euridice was performed, more Rameau -like, [56] with the title role transposed from the castrato to the tenor voice.

In the same year, Gluck returned to Vienna, where he was appointed composer to the imperial court 18 October after 20 years serving as Kapellmeister.

Over the next few years, the now internationally famous composer would travel back and forth between Paris and Vienna. He became friends with the poet Klopstock in Karlsruhe.

On 23 April , the French version of Alceste was given. During the rehearsals for Echo et Narcisse in September , Gluck became dangerously ill.

In Vienna Gluck wrote a few more minor works, spending the Summer with his wife in Perchtoldsdorf , famous for its wine Heuriger. Gluck suffered from melancholy and high blood pressure.

On 15 November , lunching with friends, Gluck suffered a heart arrhythmia and died a few hours later, at the age of Usually, it is mentioned Gluck had several strokes and became paralyzed on his right side.

Robl, a family doctor, has doubts as Gluck was still able to play his clavicord or piano in His death opened the way for Mozart at court, according to H.

Gluck was buried in the Matzleinsdorfer Friedhof. Around his remains were transferred to the Zentralfriedhof ; a tomb was erected containing the original plaque.

His reforms influenced Mozart , particularly his opera Idomeneo His greatest French admirer would be Hector Berlioz , whose epic Les Troyens may be seen as the culmination of the Gluckian tradition.

From Wikipedia, the free encyclopedia. For other uses, see Gluck disambiguation. List of compositions by Christoph Willibald Gluck.

List of operas by Christoph Willibald Gluck. List of ballets by Gluck. Other sources giving this date include Einstein , p.

The authenticity of the document has been disputed by Robl , pp. Ancestry, early life and training. The record of ownership from the time it was built to the present is unbroken, and, although the house has been remodeled and modernized, it is believed to retain much of its original appearance.

There is a plaque on the side of the house which reads: Chaste fille de Latone. The happy reunion of sister and brother is cut short at news that Thoas is coming, having heard that one of the captives was released and intent on the blood of the other.

The king enters wildly, ordering his guards to seize Orestes and promising to sacrifice both him and his sister. At that moment Pylades enters with a band of Greeks, cutting down Thoas where he stands.

She also issues pardon to Orestes for murdering his mother, sending him to be king over Mycenae and bidding him restore Iphigenia to her country.

As Diana is carried back into the clouds, everyone sings a concluding chorus of rejoicing at having the favor of earth and heaven restored to them Les dieux, longtemps en courroux.

It contributed to a vogue for the Tauris story in the city. In a "reform opera" on the subject by Tommaso Traetta with a libretto by Marco Coltellini , Ifigenia in Tauride , appeared on the Viennese stage.

Their main innovations were to begin the opera with a storm which would have been more difficult in a spoken drama and to delay the recognition until the finale.

The borrowings Gluck made in this, his last significant opera, are numerous, and many scholars feel that they constitute a "summing up" of the artistic ideals he pursued throughout his career as a composer.

Recycling music was common practice among 18th century composers. Recycling was thus a way of saving some of his most outstanding musical ideas.

As Donald Grout describes it: But the accompaniment, with a subdued, agitated, sixteenth-note reiteration of one tone, and with a sforzando accent at the first beat of every measure, betrays the troubled state of his mind, from which he cannot banish the pangs of remorse for his past crime.

It is perhaps the first occurrence in opera of this device of using the orchestra to reveal the inward truth of a situation, in distinction from, even in contradiction to, the words of the text — a practice that Wagner was later to incorporate into a complete system.

From Wikipedia, the free encyclopedia. Iphigenie auf Tauris , in "Salentonline. The 26 February performance was transmitted live in movie theaters around the world as part of " The Met: Iphigenia in Aulis and Iphigenia in Tauris by Euripides.

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Navigation Hauptseite Themenportale Zufälliger Artikel. Ob Grammatik, Rechtschreibung, Wortherkunft oder guter Stil: Hier finden Sie Tipps und Hintergrundwissen zur deutschen Sprache, Sie können sich in Fachthemen vertiefen oder unterhaltsame Sprachspiele ausprobieren. Zusammen mit Georg Christian von Lobkowitz war er in London. Er hat das Stück vollkommen erfasst und versucht, die Leidenschaften, die vorgestellt werden und das Grausen, das die Katastrophe beherrscht, auszudrücken! Diese Seite wurde zuletzt am Abonnieren Sie unsere Newsletter. Angiolini hatte eine belebte Tanzdarstellung vor Augen. In Wien schrieb Gluck noch einige kleinere Werke, lebte jedoch hauptsächlich zurückgezogen.{/ITEM}

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